中文 Francais default  
 
Home The 4th Ministerial Conference FOCAC Archives Sino-African Relations Entering Africa Reading China Exchanges and Dialogues Current Affairs of Africa Voices from Media
  FOCAC Archives
  FOCAC ABC
  The 1st Ministerial Conference
  The 2nd Ministerial Conference
  Beijing Summit and the 3rd Ministerial Conference
  Photo Exhibitions on Past Conferences
  Sino-African Relations
  China's African Policy
  Political Exchange
  Economic and Trade Cooperation
  Cultural Exchange
  Entering Africa
  Overview of Africa
  Experiencing Africa
  Travel Tips
  Reading China
  China in a Sketch
  China's Development
  A Panorama of China
Clink
  Relevant Links
Chinese Follow-up Committee members
Chinese Diplomatic Missions in Africa
China's Major Academic Institutions
China' s Major News Media
Related African Websites
[more>>] 
  Home > Entering Africa > Experiencing Africa
New take on Africa
2011/05/13

Global Times, May 6, 2011

By Andrew Dosunmu, Nigerian photographer based in Lagos and New York. Photo: Courtesy of Africa: See You, See Me! 

An African man holding dozens of Louis Vuitton bags and a woman dressed in a black burqa holding a grenade are some of the images that are touring the world as portrayals of contemporary Africa. Kings and plebs, warriors and fashionistas, locals, settlers and emigrants are on show in Africa: See You, See Me! at Li-Space in Caochangdi, in a rare opportunity to see African contemporary art in China. Over 150 works of photo and video installations by 36 photographers depict the marvels and pains of neo- and post-colonial Africa on its road to emancipation.

"Many people think of Africa as an old and under-developed world, but we're very contemporary; we are individual subjects and global citizens dealing with the same problems that affect people around the world," said Nigerian curator Awam Amkpa who lives in the US where he teaches at New York University.

"This exhibition aims at showing African diversity and complexity, through the eyes of Africans and foreigners with close relationships to Africa," he added. The three sections of the display show stories of African emigrants and the hardships of life in European society; ethnographic portraits of a colonized Africa and "contemporary photos of Africa by non-African photographers with close relationships with African countries and artists. "It presents the history of African photography and its influence on non-African imaginings of Africa and the African Diaspora," Amkpa wrote.

"Chinese people are everywhere in Mozambique," said Mario Macilau, 27, a Mozambican photographer. "They're into construction, wood, fish, seafood," he added. Macilau often explores the relationship man-time-space and his series of five photos at the exhibit document ancient traditional religious rituals held in public at Maputo, the Mozambican capital. "Some Chinese people think Africans still live among lions and are backward people; others get scared just because we look different. But on the other hand, "Mozambicans ask Chinese people 'Are you good at kung fu?' because Bruce Lee and Jackie Chan make their image of China," said the young photographer, praising the exhibit as an important bridge between China and Africa.

 

"Asian people are newcomers in Africa, that's why this cultural interchange is so important," said Angèle Etoudi Essamba, 49, a Netherlands based photographer from Cameroon.

"My photos aim at breaking the stereotypical image of Africa as a place of misery, oppression and war," she added, standing next to one of her female portrays.

"Africa has long been a point of passage for Chinese people; the [Sino-African] relationship intensified but isn't new," Amkpa explained. "But there's Africa of governments and Africa of people. I don't think Chinese people in general know about contemporary African people, about their diversity and liveliness," he said.

Suggest to a friend
  Print